TY - JOUR
T1 - Vision, media, noise and the percolation of time
T2 - Symmetrical approaches to the mediation of the material world
AU - Witmore, Christopher L.
PY - 2006/11
Y1 - 2006/11
N2 - Why in the articulation of archaeological knowledge have wider sensory properties of the material world been over looked? This article considers this question in relation to sound. It argues that the neglect of sound is partly the product of human transactions with instruments and media in practice. Moreover, the denial of sound as a relevant category of archaeological inquiry arises out of modernist notions of space-time that reside at the heart of the discipline. So while the visual is linked with spatial properties that are resistant to change, the aural is connected with the temporal and is considered momentary and fleeting in nature. Still, it is argued that sound as a quality of things is fundamental to human sensation - to being. In building upon a non-modernist notion of time where entities and events quite distant in a linear temporality are proximate through their simultaneous entanglement and percolation I suggest we might learn what we can understand from tuning into the acoustic properties of the material past. But rather than reproduce an unnecessary dualism between seeing and hearing, this endeavor will require us to relearn how to see and hear at the same time through other, complimentary modes of articulation and engagement.
AB - Why in the articulation of archaeological knowledge have wider sensory properties of the material world been over looked? This article considers this question in relation to sound. It argues that the neglect of sound is partly the product of human transactions with instruments and media in practice. Moreover, the denial of sound as a relevant category of archaeological inquiry arises out of modernist notions of space-time that reside at the heart of the discipline. So while the visual is linked with spatial properties that are resistant to change, the aural is connected with the temporal and is considered momentary and fleeting in nature. Still, it is argued that sound as a quality of things is fundamental to human sensation - to being. In building upon a non-modernist notion of time where entities and events quite distant in a linear temporality are proximate through their simultaneous entanglement and percolation I suggest we might learn what we can understand from tuning into the acoustic properties of the material past. But rather than reproduce an unnecessary dualism between seeing and hearing, this endeavor will require us to relearn how to see and hear at the same time through other, complimentary modes of articulation and engagement.
KW - Belles noiseuses
KW - Located media
KW - Media
KW - Percolating time
KW - Vision
UR - http://www.scopus.com/inward/record.url?scp=33751058653&partnerID=8YFLogxK
U2 - 10.1177/1359183506068806
DO - 10.1177/1359183506068806
M3 - Article
AN - SCOPUS:33751058653
VL - 11
SP - 267
EP - 292
JO - Journal of Material Culture
JF - Journal of Material Culture
SN - 1359-1835
IS - 3
ER -