TY - JOUR
T1 - The fall of a pseudo-icon
T2 - The toppling of saddam hussein's statue as image management
AU - Hatley, Lesa
AU - Perlmutter, David D.
N1 - Copyright:
Copyright 2019 Elsevier B.V., All rights reserved.
PY - 2005/9
Y1 - 2005/9
N2 - On April 9, 2003, the 21st day of America's war with Iraq, the 40-foot bronze statue of Saddam Hussein in Baghdad's Firdos Square was pulled down in front of dozens of still and video photojournalists—and, thus, the world. Studying "icons" such as the Saddam-toppling pictures is of interest to researchers endeavoring to judge the relation of photojournalism to the events that it portrays both as news and as history (Domke, Perlmutter, & Spratt, 2003). This article analyzes the most published photograph of the Saddam Hussein statue toppling as an icon, including the activities leading to the toppling, as well as the event's significance.
AB - On April 9, 2003, the 21st day of America's war with Iraq, the 40-foot bronze statue of Saddam Hussein in Baghdad's Firdos Square was pulled down in front of dozens of still and video photojournalists—and, thus, the world. Studying "icons" such as the Saddam-toppling pictures is of interest to researchers endeavoring to judge the relation of photojournalism to the events that it portrays both as news and as history (Domke, Perlmutter, & Spratt, 2003). This article analyzes the most published photograph of the Saddam Hussein statue toppling as an icon, including the activities leading to the toppling, as well as the event's significance.
UR - http://www.scopus.com/inward/record.url?scp=34247860030&partnerID=8YFLogxK
U2 - 10.1080/15551393.2005.9687441
DO - 10.1080/15551393.2005.9687441
M3 - Article
AN - SCOPUS:34247860030
VL - 12
SP - 38
EP - 45
JO - Visual Communication Quarterly
JF - Visual Communication Quarterly
SN - 1555-1393
IS - 1-2
ER -