This essay undertakes a critical re-assessment of Mary Sue fan fictiona popular genre of fan writing in which (typically) female authors insert themselves as primary characters into the universe of a beloved media text. Despite being denigrated by scholars and fans alike, this essay contends that Mary Sue fan fictionas an instance of ecriture femininechallenges the patriarchal economy of writing. It does so by allowing women to write their own desires, deconstructing the Author-God function, and utilizing poetic language. The essay rhetorically enacts its argument by employing a performative, narrative, fragmentary, intertextual style that invites readers to actively coproduce rather than to passively consume the essay. © 2011 National Communication Association.
|Journal||Text and Performance Quarterly|
|State||Published - 2011|