This essay considers watermelon’s role as a vital symbol in Rufino Tamayo’s understudied mural, "Naturaleza muerta." Moreover, this essay considers watermelon's agency as an eco-visual signifier of Mexican heritage, inclusive of the complex ways watermelon elevates imagined spheres of national belonging while veiling the informal food economies of market vendors that propelled this heritage. By drawing upon feminist scholar bell hooks’s concept of “eating the other”—a gustatory metaphor for the fraught power dynamics of race and gender in Western society—this essay argues that watermelon functions as a vehicle for the competing discourses of displacement, decontextualization, and signification of the Other in Tamayo’s modernist mural, and, by extension, mid-century Mexico City’s visual landscape.
|Journal||Vistas: Critical Approaches to Modern and Contemporary Latin American Art|
|State||Published - Jun 18 2020|