Lead Editor and "Introduction" RANKING = 4

David Forrest; Quinn Ankrum; Stacey Jocoy; Kevin Salfen; Anne Kissel; Clare Eng; Gordon Sly; Stuart Duncan; Shersten Johnson; Marianne Kielian-Gilbert; Peter Martens; Tracey Carr

Lead Editor and "Introduction" RANKING = 4

David Forrest, Quinn Ankrum, Stacey Jocoy, Kevin Salfen, Anne Kissel, Clare Eng, Gordon Sly, Stuart Duncan, Shersten Johnson, Marianne Kielian-Gilbert, Peter Martens, Tracey Carr

Research output: Book/Report › Book › peer-review

Abstract

On the hundredth anniversary of Britten’s birth, we hosted a symposium to recognize the composer's unique contributions to music. At every stage of planning and execution we deliberately questioned convention. Our planning committee comprised professors of voice, musicology, and theory. The events of the symposium touched on all activities available in academic music – performances from guest artists, host faculty, college students, and over 300 local children engaged all the major genres including song, instrumental chamber works, choral works, and opera; academic paper presenters included performers, musicologists, and theorists; lecture recitals engaged his film music, chamber works, and duets written specifically for Britten and Pears. The symposium concluded with a round-table discussion in which presenters and performers were invited to comment on connections between each other’s work. On the fortieth anniversary of Britten's death, we present a collection of papers from t

Original language	English
Publisher	Cambridge Scholars
State	Published - Jun 2017

Cite this

@book{358fe7dfe21a4b2d98ac4152338a3d51,

title = "Lead Editor and {"}Introduction{"} RANKING = 4",

abstract = "On the hundredth anniversary of Britten{\textquoteright}s birth, we hosted a symposium to recognize the composer's unique contributions to music. At every stage of planning and execution we deliberately questioned convention. Our planning committee comprised professors of voice, musicology, and theory. The events of the symposium touched on all activities available in academic music – performances from guest artists, host faculty, college students, and over 300 local children engaged all the major genres including song, instrumental chamber works, choral works, and opera; academic paper presenters included performers, musicologists, and theorists; lecture recitals engaged his film music, chamber works, and duets written specifically for Britten and Pears. The symposium concluded with a round-table discussion in which presenters and performers were invited to comment on connections between each other{\textquoteright}s work. On the fortieth anniversary of Britten's death, we present a collection of papers from t",

author = "David Forrest and Quinn Ankrum and Stacey Jocoy and Kevin Salfen and Anne Kissel and Clare Eng and Gordon Sly and Stuart Duncan and Shersten Johnson and Marianne Kielian-Gilbert and Peter Martens and Tracey Carr",

year = "2017",

month = jun,

language = "English",

publisher = "Cambridge Scholars",

}

TY - BOOK

T1 - Lead Editor and "Introduction" RANKING = 4

AU - Forrest, David

AU - Ankrum, Quinn

AU - Jocoy, Stacey

AU - Salfen, Kevin

AU - Kissel, Anne

AU - Eng, Clare

AU - Sly, Gordon

AU - Duncan, Stuart

AU - Johnson, Shersten

AU - Kielian-Gilbert, Marianne

AU - Martens, Peter

AU - Carr, Tracey

PY - 2017/6

Y1 - 2017/6

N2 - On the hundredth anniversary of Britten’s birth, we hosted a symposium to recognize the composer's unique contributions to music. At every stage of planning and execution we deliberately questioned convention. Our planning committee comprised professors of voice, musicology, and theory. The events of the symposium touched on all activities available in academic music – performances from guest artists, host faculty, college students, and over 300 local children engaged all the major genres including song, instrumental chamber works, choral works, and opera; academic paper presenters included performers, musicologists, and theorists; lecture recitals engaged his film music, chamber works, and duets written specifically for Britten and Pears. The symposium concluded with a round-table discussion in which presenters and performers were invited to comment on connections between each other’s work. On the fortieth anniversary of Britten's death, we present a collection of papers from t

AB - On the hundredth anniversary of Britten’s birth, we hosted a symposium to recognize the composer's unique contributions to music. At every stage of planning and execution we deliberately questioned convention. Our planning committee comprised professors of voice, musicology, and theory. The events of the symposium touched on all activities available in academic music – performances from guest artists, host faculty, college students, and over 300 local children engaged all the major genres including song, instrumental chamber works, choral works, and opera; academic paper presenters included performers, musicologists, and theorists; lecture recitals engaged his film music, chamber works, and duets written specifically for Britten and Pears. The symposium concluded with a round-table discussion in which presenters and performers were invited to comment on connections between each other’s work. On the fortieth anniversary of Britten's death, we present a collection of papers from t

M3 - Book

BT - Lead Editor and "Introduction" RANKING = 4

PB - Cambridge Scholars

ER -

Lead Editor and "Introduction" RANKING = 4

Abstract

Fingerprint

Cite this