Plantation museums would appear to be natural sites in which to learn about the lives of enslaved Africans and African-Americans in the US. Marx describes a commodity fetish as occurring when the link between labor and the product of labor has been broken when human wrought objects appear to come from nowhere. Plantation museums are a peculiar type of fetish commodity. They are sites that capitalize the plantation by using it as a stage for the selling of a 'big house' story of planters, masters, and mistresses, while neglecting the stories of those whose labor built the estate and whose wealth generation furnished it. Re-introducing the enslaved into the public history of the Southern plantation obviously requires a direct re-writing of the tours and exhibits at these heritage sites and changing what visitors hear about slavery.
|Number of pages||19|
|State||Published - 2011|