“Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5

Heather Warren-Crow

“Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5

Visual and Performing Arts

Research output: Contribution to journal › Article › peer-review

Original language	English
Journal	Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display
State	Published - Dec 2017

Cite this

@article{a2643bf1384e4f77a6be87bbb45767ac,

title = "“Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5",

author = "Heather Warren-Crow",

year = "2017",

month = dec,

language = "English",

journal = "Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display",

}

“Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5. / Warren-Crow, Heather.

In: Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display, 12.2017.

Research output: Contribution to journal › Article › peer-review

TY - JOUR

T1 - “Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5

AU - Warren-Crow, Heather

PY - 2017/12

Y1 - 2017/12

M3 - Article

JO - Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display

JF - Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display

ER -

“Before and After Ghostcatching: Animation, Primitivism, and the Choreography of Vitality.” Screen Bodies: An Interdisciplinary Journal of Experience, Perception, and Display 2, no 1: 22-44. RANK 5

Fingerprint

Cite this