"At the A.U. Museum, these 10 printmakers are tearing up the rule book"

Research output: Other contributionpeer-review

Abstract

Sangmi Yoo also uses incised forms and shadow play, although her multilayered pieces evoke not nature but the suburbia of her Korean childhood and her current home in Texas. Yoo overlaps cutout houses and trees, draping her prints vertically or in hammock-like swoops that yield shadows more complex than the cookie-cutter homes themselves.
Original languageEnglish
PublisherThe Washington Post
StatePublished - May 2 2019

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