.5- Glass Tire: Aaron Hegert's Stripped-Down Transition

Aaron Hegert

.5- Glass Tire: Aaron Hegert's Stripped-Down Transition

Art

Research output: Non-textual form › Exhibition

Abstract

Aaron Hegert’s show of photography, Transition, opened in the Martin McDonald Gallery at Louise Hopkins Underwood Center for the Arts in Lubbock last month. That space at LHUCA, while always in show rotation, is a transitional-feeling space in the building, a sort of hallway gallery, and a tricky spot for which to design a show because you have to confront works from the side first, and quite close-up. Consistency between works plays to an artist’s favor. So, as in this show’s case, small, equidistant 2-D works in a limited palette draw you in, like reading pages in a book.

Original language	English
State	Published - May 7 2019

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N2 - Aaron Hegert’s show of photography, Transition, opened in the Martin McDonald Gallery at Louise Hopkins Underwood Center for the Arts in Lubbock last month. That space at LHUCA, while always in show rotation, is a transitional-feeling space in the building, a sort of hallway gallery, and a tricky spot for which to design a show because you have to confront works from the side first, and quite close-up. Consistency between works plays to an artist’s favor. So, as in this show’s case, small, equidistant 2-D works in a limited palette draw you in, like reading pages in a book.

AB - Aaron Hegert’s show of photography, Transition, opened in the Martin McDonald Gallery at Louise Hopkins Underwood Center for the Arts in Lubbock last month. That space at LHUCA, while always in show rotation, is a transitional-feeling space in the building, a sort of hallway gallery, and a tricky spot for which to design a show because you have to confront works from the side first, and quite close-up. Consistency between works plays to an artist’s favor. So, as in this show’s case, small, equidistant 2-D works in a limited palette draw you in, like reading pages in a book.

M3 - Exhibition

ER -